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Iranian filmmaker Jafar Panahi was banned from leaving Iran to attend the Karlovy Vary International Film Festival, despite his Oscar-nominated film being feat…
The Directors Guild of America ratified a four-year contract securing pay raises, streaming residuals, and workplace protections for over 18,000 members. The d…
Kiyoshi Kurosawa’s *The Samurai and the Prisoner*, his first samurai drama set in 16th-century Japan, premieres in U.S. theaters July 31. The film blends Kuros…
Director Taratoa Stappard’s *Mārama* uses a Victorian-era horror-revenge tale to honor his Māori ancestors’ rebellious acts of cultural preservation—like dance…
Film director Curry Barker’s front-row seat at Thom Browne’s Milan Fashion Week show highlights his rising Hollywood influence and the growing overlap between …
Researchers developed a method to dynamically adjust electronic and magnetic properties of oxide thin films by exsolving nanoparticles using electric fields or…
Ann Blyth, Oscar-nominated for her role as Joan Crawford's scheming daughter in *Mildred Pierce* (1945), died at 98. Her career spanned film, TV, and theater, …
*Lucky Strike* follows a downed B-17 crew’s desperate 12-hour escape behind Nazi lines in WWII’s final months, avoiding heroics to show raw survival. It matter…
Brad Bird confirmed no *Ratatouille* sequel exists because the original story is complete. His refusal protects the film's integrity amid Hollywood's franchise…
YouTube-born films like *Obsession* and *Backrooms* are reviving 1960s counterculture aesthetics, proving viral online content can succeed in theaters. This sh…
The soundtrack for *Jackass: Best and Last* features iconic tracks like Minutemen’s *Corona* and Karen O’s cover of *We’ll Meet Again*, blending punk, rock, an…
