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Thirst review โ€“ member-dismembering Icelandic gore fest rips it up in trashy 80s style

A 1,000-year-old vampire obsessed with removing menโ€™s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style W ibbling willies! This gore fest from Iceland starts as it means to go on: parked on a quiet back road, where a balding 1,000-year-

Thirst review โ€“ member-dismembering Icelandic gore fest rips it up in trashy 80s style
Guardian Film โ€” 16 June 2026
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A 1,000-year-old vampire obsessed with removing menโ€™s genitals is the main storyline in this body horror, filmed in trashy 1980s synth-heavy style

W ibbling willies! This gore fest from Iceland starts as it means to go on: parked on a quiet back road, where a balding 1,000-year-old vampire has lured a middle-aged man into his car with the promise of a quickie. The vampireโ€™s head lowers into his poor victimโ€™s lap. โ€œNot quite so hard,โ€ the man implores, unheeded. Just three minutes into the film, we get sight of a dismembered member โ€“ the first of many to come. Filmed in trashy 1980s style, with plenty of red smoke and a synth-heavy soundtrack, Thirst is over-the-top and deliberately ridiculous, though I couldnโ€™t stop myself yelping at one or two moments.

This is not a film graced by first (or even second) rate acting, though Hjรถrtur Sรฆvar Steinason gives an entertaining performance as the vampire Hjรถrtur, all weary nihilism with the occasional wrench of spiritual anguish. One night, he takes a shine to a young woman called Hulda (Hulda Lind Kristinsdรณttir), who is being harassed by local cops over the death of her brother from a drug overdose. After watching him split the skull of a local thug in two, Hulda is understandably petrified. But Hjรถrtur reassures her that he is only interested in men. One of the cops pursuing Hulda is Jens (Jens Jensson), a uniformed officer of retirement age. His wife is a religious crank in a tracksuit who makes broadcasts for TV warning that the end is nigh โ€“ which it certainly is for some of Reykjavรญkโ€™s residents.

There is no meaning or message here, no obvious metaphor for the vampirism. Just a midnight movie with the spectacle of Hjรถrtur relieving his male victims of their dangly bits, and another vampire tucking into the internal organs of his (still living) victim. There is a lot of yuckiness, but not really any bite. Though one or two scenes โ€“ Iโ€™m thinking of Hjรถrtur tucking into hotdog with a twist (โ€œI donโ€™t eat processed meatโ€) โ€“ may be destined for cult status.

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